For a long stretch of the twentieth century, tearing down an old building was progress, and historic preservation grew up in reaction to that assumption. Older buildings were obstacles to the new, and the wrecking ball was a tool of improvement. The fight between the two decided a great deal of what still stands and what became salvage.
Loss built the movement
The turning point came with losses too large to ignore. When landmark buildings, grand stations, distinctive blocks, whole historic districts, fell to demolition in the postwar decades, a public that had accepted teardown as progress began to object. Out of that reaction came preservation laws, landmark designations, historic districts, and the whole apparatus that now stands between an old building and the ball. The movement changed the calculation. Where demolition had been the default, preservation made it a decision that could be contested, delayed, or blocked.
But preservation never wins everywhere, and its limits are where salvage begins. Plenty of buildings fall outside any protection, too ordinary, too inconvenient, too far gone to save, and those come down. Salvage is what happens at that edge: recovering the worthwhile parts of buildings the preservation movement couldn't or didn't save. So salvage and preservation are cousins, not opposites. Both care about the old building; they just meet it at different stages, preservation trying to keep it standing, salvage saving what it can when it doesn't.